Stars: Ethan Hawke, Amanda Seyfried, and Cedric the Entertainer (It may sound strange to praise a film in those terms, but “viewer immersion” is one quality to which all great art-from brows low to high-aspires.) As a result, if you give 1917 an inch of attention, it will drag you along for miles. In this case, the approach meshes perfectly with the setting and story, pulling the viewer into the tension of trench warfare and the overall horror of a prolonged stay in a place where the enemy is always trying to kill you, while also achieving a certain character-centric intensity that may feel familiar to anyone who has logged many hours in videogames. The “continuous shot” approach, so often a gimmick in lesser films, is executed here with such deftness that it’s fascinating to observe in and of itself-it’s like watching a juggler or tightrope walker pull off a routine …for two straight hours. Nonetheless, 1917 is one of the most technically challenging and visually satisfying movies of the year. Like most cinematic sub-genres that have experienced robust popularity and saturation during a decade or two, the war movie benefits from “lying fallow.” (Someday, the same will be true for superhero films, as well.) With Dunkirk, another artfully shot and presented war film-albeit a different World War-still “fresh” in movie-goers’ minds, and another type of Wars movies dominating discussion, it seems unlikely many from those most sought-after demographics are going to say, “Hey, you know what I want to see? A film set during World War I!” No matter that both its director and cinematographer have Oscar statuettes, or that the latter is the Roger Deakins (no slight to Mendes-but just check out Deakins’ resumé). One suspects that Sam Mendes’ latest film might have made a bigger splash at the box office with slightly different timing. Stars: George McKay, Dean-Charles Chapman, Mark Strong, Andrew Scott, Richard Madden, Claire Duburcq, Colin Firth, Benedict Cumberbatch Here are the 30 best movies streaming on Showtime now: Visit the Paste Movie Guides for all our recommendations. You can also check out our guides, some more updated than others, to what’s on other platforms like Netflix, Amazon Prime, Hulu, HBO and Redbox, as well as The Best Movies in Theaters.
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A few movies left this list this month, but newcomers like Zola and Minari more than make up for it.Īnd Showtime’s not just a cable add-on anymore: You can add a subscription to your Amazon, Hulu or PlayStation accounts or access it via Apple, Android or Roku devices via Showtime Anytime. We’ve gone through its extensive catalog and collected the best movies available now, this November.
The channel not only has a massive library of films, but has a ton of exclusive movies that you just won’t find anywhere else. The “C” word in this case, is either comedy or compassion.Įmail: nationalpost.Showtime boasts one of the largest offerings of streaming movies of any premium cable channel with more than 500 movies available on demand. Rest-assured a film about cancer can be fun without being offensive and sweet without being schmaltzy. The movie oscillates smoothly between funny scenes (such as a mostly-improvised scene where Adam shaves his head using Kyle’s electric, er, body trimmer) and touching moments (such as when Adam calls out for his mother in the hospital). (Adam is 24-year-old Katherine’s third patient.) Angelica Huston does the most with a small role, playing Adam’s fretting mother, and Matt Frewer and Philip Baker Hall are memorable as Adam’s old chemo-buddies. As Katherine, Adam’s novice therapist and new love interest, Anna Kendrick ( Up in the Air ) excels in another role where she plays a young anxious but earnest achiever. As he was in (500) Days of Summer, he finds himself again afflicted by an uncommitted but beautiful girlfriend, Rachael (Bryce Dallas Howard) who can barely be faithful, let alone punctual enough to pick him up from chemotherapy.Īs Adam’s condition worsens, his supporting cast gets better. In the same way that Rogen is the consummate goofy, obnoxious man-boy, Gordon-Levitt is the relatable, vulnerable nice-guy. This advertisement has not loaded yet, but your article continues below.
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